“As a monitoring tool it is very helpful to work towards showing me what I am hearing in my mixes. As for all tools, I am reluctant to say it has totally fixed all my monitoring issues.
It's just good to have a base line tonal and phase corrected mix for working on my studio monitors. The headphone flattener curve changed the mix on my Beyerdynamic 1990's by removing the top end hype. I tend to flick between listening to them as-is and through the Sonarworks tonal correction.”
“Hello,
the new features of SoundId are a big plus for this new version. I do not put 5 stars because for the moment there are still problems of robustness of the system: display faults on differents applications (Windows 11, and Premiere Pro) more often the error "APO can't be applied"
Hope these bugs will be fixed soon
Best regards”
“it's quite good, I still have to learn it some more. I think the translation section sounds a bit too radical, I think real phone speakers, for ex., sound a bit different.”
“The missing link in my studio setup. A wonderful program that is helping me make better decisions in my mixes. At the same time I'm learning because it sound fairer when I'm listing to reference tracks through the same system on my studio monitors.”
“By far the best investment I’ve made as a producer and mix engineer. Having a great sounding room is vital to what we do but it can also be costly. Sound ID Reference created a great sounding space and gave me confidence in the work I send out.”
