“After a trial period with 3 different solutions, I purchased SoundID, having been convinced that it was the best option for producing more accurate mixing and mastering in my studio. Besides already having profiles for headphones, the real benefit was in creating profiles for 2 sets of studio monitors. The best selling feature is the trial period with a fully functional product. Being able to use it standalone and as a plugin means that you can easily verify the difference that it makes to your output. SoundID is great for the imperfect rooms that most of us work in.”
“So SoundID is basically magic. I understand roughly how it’s working and what it’s doing, but the results are astonishing. My room is effectively unlistenable; I have an 18db boost at around 130hz, and a big dip around 1khz. It has low ceilings and is packed with furniture- I have big glass fronted wardrobes filling one short side and a big window on the other short side, my monitors sit on the desk, jammed against one long wall. I can’t move anything to try and improve it. It’s like a worst case scenario simulation for some terrible audio game. SoundID basically fixes everything. After the measuring process. I have now an effectively flat response and everything’s vastly improved. There’s detail in every frequency band which was impossible to hear before. Stereo imaging and soundstage is much better as well. I’m getting occasional clicks and pops which is irritating, but can hopefully be fixed with some tinkering with my interfaces buffer. I can’t recommend this software enough, it’s amazing.”
“SoundID Reference has transformed my audio production process. Its ability to flatten sound frequencies in the room with intelligent EQ ensures a cleaner and more accurate sound. This has greatly improved the quality of my track mixing, providing a truer sound that's essential for professional work. The software is user-friendly, making it easy to achieve a flat frequency response. Overall, SoundID Reference is an indispensable tool in my audio toolkit, enhancing every aspect of my production work.”
